DIRTY DOZEN & CLEAN 15

 

Each year the Envrionmental Working Group (EWG) publishes an analysis of the most and least likely produce to be contaminated with pesticides. Read on to see if your favorite fruits and vegetables made the 2023 ‘Dirty Dozen’ & ‘Clean15’ lists!

Every spring, the Environmental Working Group (EWG) publishes a Shopper’s Guide to Pesticides in Produce (the ‘Dirty Dozen’ & ‘Clean 15’). These lists identify which fruits and vegetables are most likely contaminated with pesticides (aka: the ‘Dirty Dozen’) and those that are least likely (aka: the ‘Clean 15’).

Over 45,000 different samples of produce are analyzed by the EWG to create the ‘Dirty Dozen’ and ‘Clean15’ lists. The lists are then ranked from highest concentration of pesticide to the lowest. Consumers can use this information to reduce their exposure to potentially harmful pesticides and enjoy well-balanced meals, worry-free!

THE DIRTY DOZEN

The ‘Dirty Dozen’ lists the top 12 fruits and vegetables in the United States with the highest level of pesticides. Although the 2023 Dirty Dozen remains relatively similar to last year’s list, the most recent round of USDA testing revealed overall higher levels of pesticides on this year’s crops than previously recorded.

This year, blueberries and green beans join the list at No.11 and No.12, respectively. The worst item from the Dirty Dozen? Strawberries. They remain the “dirtiest” item holding the No. 1 spot. Whereas many of the other items listed rotated around in order.

Of those non-organic fruits and vegetables, 75 percent had pesticide contamination. These percentages are often higher for the fruits and vegetables listed in the ‘Dirty Dozen’. For instance, blueberries and green beans tested close to 90 percent contamination, while strawberries tested 99 for percent.

The EWG advises U.S. consumers to buy the organic versions of those listed on the Dirty Dozen whenever possible. While these foods are not necessarily unhealthy, it is important to be aware of the potential risks associated with consuming foods that have been treated with pesticides.

Too much pesticide exposure has been connected to cancers, hormone disruption, skin and eye irritation, nervous system issues, and other health issues, according to the EPA. Pregnant women and children, especially, are more susceptible to experiencing negative health effects from pesticide exposure.

THE 2023 DIRTY DOZEN

1. STRAWBERRIES

2. SPINACH

3. KALE, COLLARD, MUSTARD GREENS

4. PEACHES

5. PEARS

6. NECTARINES

7. APPLES

8. GRAPES

9. BELL AND HOT PEPPERS

10. CHERRIES

11. BLUEBERRIES

12. GREEN BEANS

THE CLEAN 15

The Clean Fifteen lists the 15 fruits and vegetables that contain the lowest trace amounts of pesticide in the U.S.

Since these 15 tend to the least amount of pesticides on them, the EWG assures buyers that these are the safest produce to buy.

This year’s ‘Clean15’ pushed cantaloupe off the list and introduces carrots to the list at No.15. Of the produce that made 2023’s ‘Clean15’, an estimated 65 percent no detectable pesticide residues, making them the safest foods for consumption even if they are not organic.

THE 2023 CLEAN 15

1. AVOCADOS

2. SWEET CORN

3. PINEAPPLE

4. ONIONS

5. PAPAYA

6. SWEET PEAS (FROZEN)

7. ASPARAGUS

8. HONEYDEW MELON

9. KIWI

10. CABBAGE

11. MUSHROOMS

12. MANGOES

13. SWEET POTATOES

14. WATERMELON

15. CARROTS

CONCLUDING REMARKS

Although purchasing organic produce is always the safest (although the more expensive) option, it’s important to keep in mind that eating nutritious produce is far better than not eating produce at all.

A healthy diet is one with all different kinds of fruits and vegetables regardless of whether they are conventional or organic. Whichever fruits or vegetables you prefer eating, they all contain endless nutritional benefits, even if they are on the ‘Dirty Dozen’ list.

 

VANITY FAIR 2023

 

Couture gowns and designer suits may grab headlines on Oscar night, but it’s the jewelry that makes or breaks these looks.

Fashions change but diamonds are forever – especially when it comes to red-carpet dressing. At the Annenberg Center in Beverly Hills, Vanity Fair’s editor in chief Radhika Jones rolled out the signature sapphire blue carpet-- to celebrate the night’s historic wins and nominees alike. 

Twenty-nine years into its existence and the Vanity Fair Oscar party is still the biggest social event in town with everyone (aside from Oscars’ nominees and presenters, but also moguls, models, directors, designers, music producers, tv personalities, executives, investors, and luxury brand consultants) wanting an invite.

Set in an indoor-outdoor space dressed in crushed velvet walls, this year’s after-party had an Old Hollywood feel with a smoking room that turned into swanky soirée under the moonlight. In cue with the magazine’s most recent cover — starring film’s most watched stars like Selena Gomez, Florence Pugh, Julia Garner, Emma Corin, and Oscar-nominees like Austin Butler and Ana de Armas — this year’s Vanity Fair Oscars Party theme, ‘Old Hollywood glamour with a modern twist’ – had Hollywood’s finest arrive in some of the most exquisite pieces of jewelry.

Nothing adds polish, finesse, or glamor to an outfit like precious stones and for one night only, the world’s most valuable (protected and insured) gems and stones came out of their jewelry houses’ vaults in celebration of the Academy Awards. While diamonds are always a stars’ best friend – this year, so were sapphires, emeralds, and pearls.

From Lady Gaga in simple yet stunning Tiffany & Co diamonds, Sandra Oh in an incredible Harry Winston statement necklace, and Michael B Jordan wearing Tiffany by Jean Schlumberger brooches dangling gems from his lapel —here are the night’s most spectacular jewelry moments.

MICHAEL B. JORDAN

Michael B. Jordan sported two striking Tiffany & Co. brooches by the jewelry house’s most prolific and celebrated jewelry designer, Jean Schlumberger. This brooch that can be seen on the satin lapel of the actor’s custom black double-breasted tuxedo by Louis Vuitton was Schlumberger’s most iconic design in 1956: Bird on a Rock brooch.

The brooch’s design was crafted to especially highlight the sizeable and rare gemstone, with a diamond-embellished bird perched on top. The brooch on the left is a morganite that totals to over 32-carats, set in 18-karat yellow gold and platinum. The one on the right is a green tourmaline totaling more than 58 carats, set in 18-karat yellow gold.

Getty Images

ANGELA BASSETT

Angela Bassett looked spectacular in her regal purple Moschino silk-organza gown with Bulgari diamonds. This high-jewelry showstopper is a Serpenti necklace crafted of articulated 18-karat white gold and embellished with more than 70 carats of white diamonds.

Arturo Holmes/Getty Images

JESSICA CHASTAIN

Rocking Gucci jewelry. This necklace is from the label’s Hortus Deliciarum (Latin for “Garden of Delights”) high-jewelry collection. Chastain’s Lionhead necklace is crafted of roughly 80 carats of favorites and diamonds set in 18-karat white gold.

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RIHANNA

With her black leather banded dress and jersey bodysuit, Rihanna wore colored diamonds and emeralds by London-based Moussaieff. The pair of orange-brown diamond drops totaled to 35.82 and 35.66 carats each. They are topped by pear-cut natural fancy yellow diamonds totaling 6.23 and 6.01 carats each, with square-cut Colombian emeralds nestled in between, all set in platinum and 18-karat yellow.

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FLORENCE PUGH

From Tiffany & Co.’s Botanica Blue Book high-jewelry collection, Pugh’s Orchid Curve necklace is crafted in platinum to mimic the curves of an orchid petal. The necklace is set with over 38 carats of diamonds, including on both sides of the curve. Pugh wore platinum earrings with pink colored tourmalines and diamonds to match.

ANGELA WEISS/AFP via Getty Images

SANDRA OH

The large cushion-cut citrine at the center of the necklace’s medallion beautifully matched her marigold silk-chiffon gown by Giambattista Valli Haute Couture. The circa-1980s design is by Harry Winston is made of 18-karat yellow gold. Both the necklace and medallion set with 77.70 carats of sapphires and 10.62 carats of diamonds.

Kayla Oaddams

JOHN CHO

To adorn his Zegna tuxedo, John Cho tastefully selected a star brooch that dates to the late 19th century. The brooch is made of silver on gold and set with diamonds. The vintage piece of jewelry was provided by the New York-based Fred Leighton.

Kayla Oaddams

JENNY SLATE

In a Thom Browne three-piece evening look, nominee Jenny Slate wore a one-of-a-kind necklace by Massimo Gismondi for Genoa, Italy-based Gismondi 1754. Dubbed Abbraccio (“The Embrace”), Slate’s necklace features a pear-shaped Zambian emerald totaling more than 22 carats. The emerald is surrounded by over 52 carats of round and pear-shaped white diamonds, all set in 18-karat white gold. The necklace’s design feature of a nearly invisible setting took well over 300 hours to craft in the Gismondi Atelier— BRAVO!

Kevin Mazur/Getty Image

SOFIA CARSON

Sofia Carson accessorized her white silk-chiffon two-piece gown, custom designed by Giambattista Valli Haute Couture, with a 122-carat emerald statement necklace from Chopard’s Haute Joaillerie collection.

The seven octagonal-shaped emeralds totaling 122.49 carats are surrounded by 92.57 carats of white diamonds in pear-, marquise-, baguette- and round-cut diamonds, all set in 18-karat white gold (Fairmined-certified*, a nod to Chopard’s commitment to ethical resourcing and responsible practices).

Jesse Grant/Getty Images

LADY GAGA

Lady Gaga stunned the red carpet in an all-black Versace ballgown featuring a full skirt and sheer corseted top. Gaga complimented her ensemble with — of course — Tiffany & Co. jewelry — a vintage platinum and diamond choker necklace (1955-1965) with a matching bracelet and minimalist diamond earrings.

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ART HEISTS

 

How to Steal a Million (1966)

More compelling than old Hollywood glamor of the silver screen – discover the spectacular stories behind the world’s greatest art heists.

Art heists on the silver screen have always captivated audiences worldwide so much so that just the thought of art theft has us conjuring images of old Hollywood glamor like Audrey Hepburn in ‘How to Steal a Million’ (1966) or the more recent film by Steven Soderbergh, ‘Ocean’s Twelve’ (2004).

Despite the security measures in high-profile museums, art heists have been happening for decades and some would argue that real art heists are even more spectacular than their fictional counterparts.

While most thieves are motivated by the millions these master works are worth, some of them steal pieces by artists they personally know or admire – instead of the artist’s reputation in the art world or theoretical value of their work.

Unfortunately, the instant recognizably of these stolen masterpieces makes them so difficult to sell that even the potent black market isn’t interested in them. With only a small percentage of stolen art ever recovered – (an estimated 10%), real art heists have tragic repercussions for the art world and history as the world’s greatest art typically end up lost forever.

Let’s look back at some of the world's greatest art heists (excluding the large-scale art thefts by the Nazis during World War II and the Russian looting of Ukraine during the 2022 Russian invasion of Ukraine):

THE MONA LISA THEFT (1911)

The most famous art heist of all time happened in 1911, when a former employee of the Louvre Museum in Paris stole the Mona Lisa painting by Leonardo da Vinci. The painting remained hidden in his apartment for two years before being caught.

OLD MASTERS LONDON MUSEUM THEFT (1966)

Rembrandt’s painting of Jacob de Gheyn III (1632) has been renamed by The Guinness Book of World Records because it has been stolen so many times. It was stolen first in 1973, then in 1981, and next in 1983. Its most recent theft was in 1966 from the Dulwich Picture Gallery in London by thieves who also removed works by Peter Paul Rubens, Gerard Dou, and Adam Elsheimer, along with two other Rembrandts.

The thieves, one of whom was eventually convicted, had hoped to sell the work on the black market, but police recovered it not long after, and the painting is still on view at the museum today.

Rembrandt van Rijn, Jacob de Gheyn III, 1632.

Photo : Dulwich Picture Gallery

SAN LORENZO CARAVIAGGIO THEFT (1969)

In 1969 thieves stole Caravaggio’s Nativity with St. Francis and St. Lawrence (dating back to 1600-1609) from the Oratory of San Lorenzo in Palermo, Italy. There was hope in finding the masterwork when in 2017 Italy’s anti-Mafia commission reopened the case but with their new lead – now deceased – the Swiss art dealer informed the commission that he advised the thieves to cut up the canvas, since no one would purchase a work so famous. As of 2021, the search for the painting continues.

Caravaggio, Nativity with St. Francis and St. Lawrence, 1600 or 1609.

Photo : Via Wikimedia Commons

SIR ALFRED AND LADY BEIT THEFT (1974)

In 1974, members of the Irish Republican Army banded together to rob the Russborough House, the Irish home of Sir Albert Beit, a British politician. Having tied up Beit, they took $20 million in art by Johannes Vermeer, Francisco Goya, and Peter Paul Rubens, which they later held out for ransom and were hoping to exchange for the release of IRA members who had been imprisoned for car bombings.

Bridget Rose Dugdale, the daughter of a British millionaire, was later sentenced to nine years in prison after three paintings were found in her cottage. Pleading “proudly and incorruptibly guilty” in court, Dugdale said that the theft was a protest the British government’s desire “to deprive us of our freedom to fight for Ireland and the freedom of the Irish people.” Some of the works Dugdale pilfered were stolen once again, for reasons of a less activist nature, in 1986, 2000, and 2001.

Sir Alfred and Lady Beit.

Photo : AP Photo

NATIONAL MUSEUM OF ANTHROPOLOGY THEFT (1985)

The most notorious heist in Mexican history, was in 1985 when a group of thieves stole the priceless Aztec and Mayan artifacts from the National Museum of Anthropology in Mexico City. Many of the stolen artifacts have never been recovered.

The National Museum of Archaeology in Mexico City.

Photo : AP

IMPRESSIONIST MASTERPIECIES IN PARIS THEFT (1985)

In one of the world’s most daring heists ever committed anywhere, the artwork that gave its name to the Impressionist Art Movement was stolen from Paris’s Musée Marmottan in1985. The thieves stole the work in broad daylight, having bought tickets like everyone else, they took Claude Monet’s iconic 1872 painting Impression, Sunrise, along with works by Berthe Morisot and Pierre-Auguste Renoir.

Nine guards and 40 visitors were held at gunpoint as some of the works were yanked from gallery walls. Although the nine stolen works were valued at $20 million, some said that Impression, Sunrise was priceless. In 1990, all nine works were recovered at a villa in Corsica, and seven people were arrested.

Claude Monet, Impression, Sunrise, 1872.

Photo : Francois Mori/AP

 THE ISABELLA STEWART GARDNER MUSEUM THEFT (1990)

The theft of 13 works of art from the Isabella Stewart Gardner Museum in Boston remains one of the largest art heists in history. The stolen pieces included paintings by Rembrandt, Vermeer, and Degas, and have never been recovered.

In the early morning, on the day after St. Patrick’s Day, thieves entered the Isabella Stewart Gardner Museum, subduing guards who were watching the Boston institution’s grounds at night.

In the hours that followed, the thieves walked away with riches of almost incalculable art-historical value: The Concert (ca. 1664), one of just 34 known Vermeer paintings; a 1633 Rembrandt painting featuring a boat navigating stormy waters; a Manet painting of a mysterious man in a café.

The FBI has said the works, which are still missing as of 2021, are valued at a collected $500 million. Because so much mystery surrounds the case, the heist continues to capture the minds of many, with some suggesting that the mob was involved, or that the guards were in on it, or that the works have indeed been destroyed.

Today, officials at the museum are unsure about the works’ whereabouts. In 2020, curator Ronni Baer told WBUR, “I wish I could somehow comfort myself in knowing they’re somewhere, but I don’t know if they still exist.”

Empty frames at the Isabella Stewart Gardner Museum.

Photo : Josh Reynolds, File/AP

GALLERIA D’ARTE MODERNA KLIMT THEFT (1997)

Scholars consider Gustav Klimt’s Portrait of a Lady (1916–17) as an important work of art in art history as it is the only painting by which the Austrian artist painted over it midway through working on it.

The $60 million painting by Klimt had disappeared for over two decades. The painting went missing in 1997 during preparations for a show at the Galleria d’Arte Moderna in Piacenza, Italy. Then in December of 2019, the painting resurfaced when a gardener who was pruning ivy at the gallery discovered it hidden in a trash bag behind a panel in the building the year before.

Two men who are believed to be connected to other Italian art heists later confessed in a letter to an Italian journalist to having stolen the Klimt, which they said they concealed in the gallery’s exterior four years after having pilfered it. In the letter, the men, who remain at large, said they ultimately returned the work “as a gift to the city.”

NATIONAL MUSEUM THEFT (2000)

In 1993, three men committed Sweden’s biggest art heist at the Moderna Museet in Stockholm. They stole paintings by Pablo Picasso and Georges Braque. They were later recovered; three men were charged for the theft.

Seven years later, an even grander heist took place at the National Museum in Stockholm, where thieves armed with a submachine gun relied on a complex array of distractions to break into the museum, steal three works by Rembrandt and Pierre-Auguste Renoir, and get away safely.

Police feared that the artworks, valued in 2000 at $30 million, would be swiftly departing Eastern Europe, and a cinematic effort to halt any sale soon kicked off. In 2001, while doing an unrelated drug raid, the police uncovered one of the Renoirs. Then in 2005, while investigating a Bulgarian syndicate, international authorities caught criminals trying to sell the Rembrandt for $42 million. They got the painting back and four of the thieves were arrested while trying to make the purchase go through.

The Nationalmuseum.

Photo : Elmar Hartmann/picture-alliance/dpa/AP Images

AMSTERDAM VAN GOGH THEFT (2002)

In 2002, just as the Amsterdam Museum devoted to the Post-Impressionist artist was gearing up to celebrate the 150th anniversary of the artist’s birth, thieves stole two early paintings from the Vincent van Gogh Museum.

They had entered the museum by using a 15-foot ladder and breaking through a window. It was unclear what had happened to the works until 2016, when Italian authorities uncovered them in a farmhouse near Castellammare di Stabia, near Naples.

Police linked the thefts to the Camorra Mafia, and authorities arrested several traffickers in connection with the heist. As the works were unveiled once more to the public, Axel Rueger, the Van Gogh Museum’s director, was beaming. “Needless to say, it’s a great day for us today.”

A press conference held for the return of two stolen van Goghs at the Van Gogh Museum in 2003.

Photo : Peter Dejong/AP

 THE SCREAM MUNICH MUSEUM THEFT (2004)

If most heists take place in the wee hours of the morning, while institutions are closed, this heist unfolded in a decidedly different manner, in broad view of the public.

Amid tourists ogling at nearby masterpieces in the Munch Museum in Oslo, thieves took The Scream (1910) and Madonna (1894) by the Norwegian Expressionist in 2004. It wasn’t the first time a version of The Scream had been stolen, but it was, in some ways, more daring because of the throngs of people that were around when the thieves held guards at gunpoint and then departed in a black station wagon.

Rumors swirled about what happened afterward. Were the paintings burned? Was the mob involved? In the end, the paintings were recovered in 2006, six arrests were made, and the works went back to the Munch Museum.

The broken frames of two Edvard Munch works stolen in 2004 from the Munch Museum in Oslo.

Photo : Lise Aserud/Scanpix/AP

HENRY MOORE SCULPTURE THEFT (2005)

Henry Moore’s monumental sculptures often involved tons of bronze transformed into amorphous forms that take on human-like qualities. That made one sculpture, titled Reclining Figure, a prime target for thieves looking to make use of a booming market for scrap metal resulting from rising demand in China.

In 2005, thieves made off with the $18 million outdoor sculpture, which weighed a whopping two tons and was on view at the artist’s foundation in Hertfordshire, England. Then, in 2009, British police revealed that they believed the sculptures were cut up, melted down, and sold for £1,500. The people who allegedly destroyed the Moore work were never caught.

A two-ton Henry Moore sculpture was likely melted down after it was stolen.

Photo : Henry Moore Foundation/AP

SPIDER MAN PARIS MUSEUM THEFT (2010)

The art theft from Musee d’Art Moderne de la Ville in 2010 was so slick it was compared to Arsene Lupin, fictional theif of French Pulp fame, and of Spider-Man, who inspired the name of the bulgar who stole five major works of modern art from this Paris Museum.

The bulgar, Vjeran Tomic returned repeatedly to the museum, spraying acid on a window that allowed him to enter seamlessly. One night, at 3 a.m., he stole Henri Matisse’s Pastorale (1905). Then, because the alarms didn’t go off, he also took works by Amedeo Modigliani, Fernand Léger, Pablo Picasso, and Georges Braque.

Tomic is believed to have been working on commission for a dealer named Jean-Michel Corvez, who wanted to sell them. Once caught, Tomic was sentenced to eight years in prison by a judge who said that the theft involved taking “cultural goods belonging to humankind’s artistic heritage.”

Vjeran Tomic

Photo : Thibault Camus/AP

PARIS MUSEUM OF MODERN ART (2010)

In 2010, five paintings worth an estimated $100 million were stolen from the Paris Museum of Modern Art. The paintings, including works by Picasso and Matisse, were later recovered in a car parked outside the museum.

Image of Paris Museum of Modern Art from Futura Sciences

KUNSTHAL MUSEUM THEFT (2012)

In 2012, seven paintings, including works by Picasso, Monet, and Matisse, were stolen from the Kunsthal Museum in Rotterdam. The thieves were eventually caught and sentenced to prison, but the paintings have never been recovered.

Image Source: New York Times

GREEN VAULT MUSEUM THEFT (2019)

The Dresden jewelry heist, one of the largest art thefts ever committed, took place largely over the course of a single minute. At 4 a.m., thieves cut the power at the Grünes Gewölbe (Green Vault) museum and made off with riches that have been valued at a collected $1.2 billion by smashing an axe into a glass display case.

Among the works stolen are some of the most famous jewelry objects in the world—including a sword encrusted with 800 diamonds and the 49.84-carat Dresden White Diamond.

By the end of 2020, four were arrested for the heist, though German police were still on the hunt for the jewels, which were still not recovered by the start of 2021. In January of that year, one security firm floated a theory that criminals were trying to sell the jewels on the dark web.

The Green Vault museum.

Photo : Sebastian Kahnert/dpa via AP

 

BRIDAL GLOVES

 

An extraordinary twist that will have heads doing a double-take as you walk down the aisle. These are the chicest gloves for every bride.

If the thought of a veil or headband as part of your wedding day ensemble doesn’t necessarily “excite” you, then an extraordinary alternative may just be for you – bridal gloves.

Because ‘settling’ should never be part of your vocabulary, especially with matters of your wedding, this beautiful and regal wedding accessory adds grace and glamor to any bridal look. With a renewed interest in vintage and more classic looks, (check TikTok influencers spiking the prices of vintage boutiques, second hand stores, and goodwill locations), bridal gloves are back in vogue.

From wrist to elbow length, plain or embellished, and lace to satin sets, there exists the perfect bridal gloves for you. Let’s embrace this accessory with open arms! Here are some of the most glamorous styles on the market today:

EMBELLISHED GLOVES

FOR THE WHIMSICAL BRIDE

The perfect finishing romantic touch, try these works of delicate art. Opaque gloves from ‘Untamed Petals’ with fingers and completely hand beaded with pearls. 

BLOSSOM VEILS SHORT PEARL GLOVES AT ANTHROPLOGY FOR $145

VOLUSPA GLOVES WITH PEARLS AT UNTAMED PETALS FOR $384

FEATHERED GLOVES

FOR THE FLIRTY BRIDE

These gorgeous sheer gloves with feather trim are perfect for that flirty and joy-filled brides.

LEXI GLOVES AT UNTAMED PETALS FOR $135

TICKLED TOUCH WHITE GLOVES AT CLUB L FOR $90

SHEER GLOVES

FOR THE MODERN BRIDE

These beautiful and sleek sheer gloves will take your wedding day ensemble to another level.

BISHOP GLOVES AT UNTAMED PETALS FOR $78

DIANA TULLE GLOVES WHITE AT SELFIE LESLIE FOR $20

SILK GLOVES

FOR THE MINIMALIST BRIDE

Slip on these delicate silk white wedding gloves, then get ready for a ton of compliments on your big day. The bright white hue and silky material are perfect for your nuptials or pre-wedding events. Style these pieces with a satin gown for an unbelievably stunning look.

CAROLINA AMATO VIVIANA SILKK GLOVES AT ANTHROPOLOGIE FOR $101

CAROLINA AMATO FARFALLA GLOVES AT ANTHROPOLOGIE FOR $127

OPERA GLOVES

FOR THE DRAMATIC BRIDE

Who says you have to only wear white gloves to your wedding? These pink opera wedding gloves take the popular "Barbiecore" fashion trend to a whole new level. Want a different color, instead? This fun elbow-length style also comes in Black, Lime and Blue.

MODERN OPERA LENGTH PINK GLOVES AT ANTHROPOLOGIE FOR $20

FINGERLESS OPERA LENGTH TULLE GLOVES BEADING AT COCOMELODY FOR $40

TATTOO GLOVES

FOR THE FEMME FATAL BRIDE

Add a lavish finish to your wedding day style with these long fingerless gloves from Vera Wang. These irresistible gloves have a lace tattoo effect. And we absolutely love the idea of pairing them with a clean white slip dress.

FINGERTIPS OPERA LENGTH WEDDING GLOVES APPLIQUES AT COCOMELODY FOR $37

SOCIETY JAMES AUBREY LACE GLOVES AT ANTHROPOLOGY FOR $112