The Artist’s Faithful Companion

 

Throughout history dogs have provided humans with unconditional love, unwavering devotion, and divine companionship. Is it any wonder that they would appear in some of history’s greatest works of art?

Far from being a modern phenomenon, artists have depicted dogs for thousands of years. One notable 20th-century example is Pablo Picasso, whose beloved Dachshund, Lump, frequently appeared in his drawings and paintings, demonstrating that even history’s greatest artists found inspiration in canine companionship.

HISTORY & SYMBOLISM

The very first artwork to depict canines were discovered in cave paintings, symbolizing protection and companionship.

In Ancient Egypt dogs signified guardianship, intuition, and the bridge between life and death.

Lapdogs served as an allegory for faithfulness, fidelity, and high social standing during the Renaissance and European portraiture.

Images of dogs were carved on tombstones - most notably during the Middle Ages - represented the deceased’s feudal loyalty.

During the 16th and 17th century when only nobility were allowed to hunt, paintings of hunting scenes featured dogs communicated high social status and aristocracy.

Overseas in Japan (the Edo Period, 1615 - 1868), miniature sculptures called ‘netsuke’ served as artistic works and as toggles for cords used to attach small objects, boxes, or pouches to kimonos (traditionally have no pockets) were very popular.

This means that from cave paintings to Ancient Egypt to the 17th century to today - man’s best friend has been making an appearance in art for over 30,000 years.

The Artist’s Faithful Companion

Dogs have never been merely decorative subjects. Across cultures and centuries they have symbolized loyalty, protection, companionship, nobility, and devotion.

Artists have returned to them not simply because they loved dogs, but because dogs communicate some of humanity’s most enduring values.


Gerrit Dou, Sleeping Dog, 1650, Museum of Fine Art, Boston, MA, USA.

Paul Gauguin, Still Life with Three Puppies, 1888, Museum of Modern Art, New York City, NY, USA.

George Stubbs, White Poodle in a Punt, c. 1780, National Gallery of Art, Washington, DC, USA.

Giuseppe Castiglione, Tawny Yellow Leopard, 1747, National Palace Museum, Taipei, Taiwan.

George Stubbs, A Couple of Foxhounds, 1792, courtesy the Tate

Sir Edwin Henry Landseer, Eos, A Favorite Greyhound of Prince Albert, 1841, courtesy Royal Collection.

Mary Cassatt, Little Girl in a Blue Armchair (1878).
Courtesy National Gallery of Art, Washington, DC.

Edward Hopper, Cape Cod Evening (1939).
Courtesy the National Gallery of Art, Washington, DC.

George Romney, Lady Hamilton as Nature (1782). Courtesy the Frick Collection, New York.

Agnolo Bronzino, Guidobaldo della Rovere (1531–32).
Courtesy Palazzo Pitti, Florence.